REVIEW: Pearl Jam, Binaural (Epic)
- Scott Hudson
On the heels of two lackluster efforts in Yield (1998)
and No Code_(1996), it seemed that Pearl Jam was poised to produce
another disappointment. Their overabundant side-projects seemed to
have milked the life out of their creativity, leaving nothing of
substance for subsequent Pearl Jam records. But with its sixth
studio release Binaural, the band proved that there is always
enough good music to go around.
While Binaural contains no monster hits like "Alive,"
"Evenflow" or "Jeremy" from their enormously successful debut album
Ten, there is a direct relationship to the band's second outing
Vs. in terms of the record's musical diversity.
Like Vs., Binaural moves effortlessly from high-energy
grunge tunes like "Breakerfall," "God's Dice," "Grievance" and the
punk-tinged "Evacuation" to great lighter-waving acoustic tracks such
as "Thin Air" and the subdued "Of The Girl" where Eddie Vedder's
gritty but soulful vocals are not only effective, but powerful.
However, the tracks that really shine are the mid-tempo rockers like
the single "Nothing As It Seems," its B-side "Insignificance" as well
as the brilliant "Light Years."
Just when you thought the party was over for Pearl Jam, they
come back in a big way, raining on the parade of their detractors.
While Binaural is not the best Pearl Jam record ever released, it is
a damn good one; certainly one that breathes life into a band that we
all thought was slowly passing away.