REVIEW: Kansas, Somewhere To Elsewhere (Magna Carta)
- Scott Hudson
Forget that Kansas was labeled a "progressive rock" band. King Crimson, Yes, early Genesis - those were prog bands. Kansas was the epitome of homespun experimentation. Kansas was to the Great Plains what the Allman Brothers were to the South: a distinctly regional act cultivating an expansive though sometimes uneasy hybrid of styles: blues, classic rock, country, classical. Kansas was "Americana" before the term became hip.
Now remember that nearly two decades ago Kansas' principal
songwriter Kerry Livgren left the band to labor as a relatively
obscure evangelical Christian artist. After his own AD project folded,
Livgren reached his zenith with the all-instrumental One Of Several
Possible Musiks_(1989). After his disappointing When Things Get
Electric was released in 1994, it seemed this multi-talented musician
and arranger had run out of ideas. About the same time a patchwork
version of Kansas released the embarrassing Freaks of Nature. It
appeared the glory had departed from America's heartland.
Although Livgren rejoins his former mates on Somewhere To
Elsewhere, forget that this is a so-called "reunion album." It is a
focused, inspired, fresh effort, largely due to the fact that the
concept began as Livgren's solo project. When drummer (and Kansas'
leader) Phil Ehart heard what Livgren was working on, he was eager to
get the old line-up into Livgren's GrandyZine studio.
The album opens with "Icarus II", a patriotic ode to a B-17
pilot who sacrifices his life for the sake of his crew. At a critical
point in the narrative when the bomber is about to engage, old fans
will recognize a haunting reference to the opening theme of the
original "Icarus" from Masque_(1975). This is followed by the rocker
"When The World Was Young," which interpolates the familiar finale
from "Magnum Opus"(_Leftoverture, 1976). But this album is not a
rehash of nostalgic stock. Grandiose surprises await the patient listener.
"Myriad" is not only the best track on this disc, it is one
of the finest works Kansas has recorded in its 30-plus year history.
The composition is Livgren at his best: abrupt changes in mood,
intricate keyboard/guitar counterpoint and development of unusual
passages. "Look At The Time" is a sweeping anthem with an unforgettable,
apocalyptic theme. "Distant Vision" is an overtly evangelical statement
driven by cosmic urgency. And "Byzantium" is perhaps the most unusual
song Kansas has recorded, featuring an exotic intro and finale that
could easily work as the score to a History Channel documentary. The
song encapsulates Livgren's distinct philosophy: "City resting on a
hill/Can your walls repel the tide of change/Under Pantocrator's
rule/Did your golden domes reveal/ The frailty of the consequence/The
conqueror was real."
Somewhere To Elsewhere is surprising as well as satisfying.
Perhaps all Kansas needed to get back on track was to remember its best
songwriter. Then again, maybe this is simply Kerry Livgren getting by
with a little help from his old friends.