REVIEW: Death in Vegas, The Contino Sessions_(Time Bomb/Concrete)
- Christina Apeles
Several bands, ranging from Massive Attack and Spiritualized,
to Velvet Underground and Chemical Brothers, will come to mind upon
hearing this release -- none of them detestable to this listener. Couple
that with a number of guest vocalists stamping their sonic ensibility to
his and her respective track, Death in Vegas's latest satisfies a gamut
of musical tastes. With their ambient disposition intact, this time
infusing rock 'n' roll gestures into the mix, Death in Vegas's The
Contino Sessions aims to hypnotize.
Opening with Dot Allison (One Dove) on "Dirge," her fragile,
adolescent style vocal accompaniment balances the composition, layered
atop dynamic electronica. "Aisha" reflects more of a rock bent with none
other than Iggy Pop offering his eccentric utterances to a backdrop of
guitar and industrial beats, as organs close the song with a funk vibe.
Onward to the noise-oriented "Broken Little Sister," the track has
Jesus and Mary Chain written all over it, custom made for Jim Reid to
let his sexual character shine through over subtle drumming and heavy
guitar distortion.
Meanwhile, pleasant cycles of strumming grace "Flying."
Appropriately titled, in this six-plus minute song, feelings of being
airborne are evoked with swells of discord and opulence. Bands like
Scenic and Pell Mell are masters of this type of instrumental scene
setting. And with "Lever Street," wrought with dijointed keyboard
playing like you've just walked in on a jam session, though strangely
romantic, Death in Vegas proves they are just as cinematic with their
craft. As long as you favor the reverie of repetitive melodies, there
is no shortage in The Contino Sessions.